Luigi Ontani conceives art as a game of memory with and in history, with a firm attachment to his Italian roots. For the purpose, he uses his own image with irony and narcissism, disguising himself, masking himself, reliving and reviving characters in folklore, fables, myths, history and art, passing from tableaux vivants to performances and photography. In Polittico dell’Olimpo, Ontani reinterprets and personifies the gods of ancient Greek mythology, in their turn traditionally represented anthropomorphically in the temples dedicated to them.